I’m probably one of countless others to check out the newest TV on the Radio song, “Golden Age,” today. Hopefully, I’m also one of countless others to be absolutely floored by the track. The song is off the band’s new album, Dear Science, which will be arriving in just over a month on Interscope, and is available for streaming access at TVOTR’s site. And you’ll never want to move beyond the opening page after hearing this one. It’s just enough to listen and stare at the record’s cover art:
The cover is a simple, streamlined vision (not unlike Desperate Youth Bloodthirsty Babes, though considerably lacking any outright image). But the song is not quite simple, and it’s all the better for that. The opening bassline is reminiscent of early Talking Heads, while some of the bridges and choruses remind me of a palatable mix of Michael Jackson and George Michael, with high-pitched vocals swept up by uplifting horn sections. It’s got the familiar TVOTR sound, but it’s got a candy-coated pop blast which is celebrated in the spare hand-claps and the string section that pops up halfway through. And man, is it slick, but with a tasty noise-meets-hip-hop-meets-electro center. Let’s hope the rest of the album sounds like this.
The kind of work that TV on the Radio has been doing for “art punk” or whatever you want to call it is reminiscent of what Fugazi was doing for emo (though not necessarily that namesake) about a decade and a half ago. TVOTR sprung up from a creative community (Brooklyn) and have continued to support their friends and like-minded peers within Brooklyn and other dedicated outwardly-thinking musical communities through touring and recording support (David Sitek produces numerous art punk acts while Tunde Adebimpe has lent his vocals to tracks by Power Douglass and Subtle). But equally important is the band’s dedication to furthering their musical output into regions least explored. “Golden Age” is a prime example of that; while their earlier work is buried in waves of ambient noise and oft-rambling instrumentals, “Golden Age” takes a 180 degree turn from that without abandoning their original musical voice. The same goes for Fugazi, the group who ardently supported like-minded musicians in DC and nationally, while furthering their take on emo (and a variety of other genres) from straight-up punk anthems (“Waiting Room”) to dub-infested cathartic blasts (“Shut the Door”) to hip-hop infested philosophy exchanges (“Stacks”) to punk-pop panache (“Public Witness Program”) to fuzz-infested rock bliss (“By You”) to jazz-funk freak-outs (“Break”) to campfire-worthy classic rock (“Argument”). In the ability to further challenge one’s own expectations in the drive to achieve a greater musical creation, these two acts have certainly shown that anything is possible.
TV on the Radio – Modern Romance (Yeah Yeah Yeahs cover):
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[…] of emo. And the critique connecting “Golden Age” to Michael Jackson is reminiscent of something I wrote a little while […]