Last night, Public Enemy’s Chuck D dropped some knowledge at Harvard. Among the many insightful and brilliant things D had to say, one struck me in particular:
“People need to write books. People need to write more books, now, more than ever. Write books and the cream will rise to the top.”
That’s a bit of an abridged statement of what D said (I didn’t get the talk on tape), but that concept hit right home. The past year I’ve been attempting to publish my own book, and it’s gone slower than I’ve anticipated. Though there’s no definite publisher at the moment, I would like to announce that my work, America Is Just A Word: Post-Hardcore, Emo And American CultureÂ will be published. Whether it’s done through a book publisher or if it will be self-published hasn’t been determined, but, in any case, the words I’ve created will find their way to some bound collection of paper in the near future.
Like this blog, America Is Just A WordÂ focuses on the world of emo, but from a multi-faceted angle. Rather than providing a straight-forward narrative of the bands, individuals, and songs that shaped the genre from its early roots into its mainstream limelighters, America Is Just A WordÂ focuses on emo from the perspective of its connection to and reflection of American culture. Comparisons between artists and American literary figures, cultural critics, and societal concepts are drawn, observed, and left open to interpretation. Unlike the two other popularly-produced books on emo (Andy Greenwald’s Nothing Feels GoodÂ and the joke guide to emo Everybody Hurts), America Is Just A WordÂ doesn’t crucify the word emo for a stereotypical and easy-to-use term for commercial use and popular representation. Rather, the book carefully observes the changes in definition, the concepts surrounding the genre, and the ambiguities, contradictions, andÂ idiosyncrasiesÂ that have informed emo for nearly twenty five years.
Needless to say, this book isn’t your usual “oral history” that seem to be published en mass lately. Not that there’s anything necessarily wrong with oral histories, but with some books, the creativity is nearly absent (though it certainly takes a lot of work to morph the words of others into a concise narrative and it’s certainly informed by those putting said narrative together). So, in the coming months, I hope to have updates about progress on the publication of America Is Just A Word: Post-Hardcore, Emo And American Culture. I’ve begun a Twitter account for means of getting word about the book out in another forum; in the coming months, expect to see additions to this blog that are connected to the book. And for those eager to see what my 33 1/3Â book on The Promise Ring’s Nothing Feels GoodÂ may have looked like, you’ll be happy to know there’s an entire chapter/section devoted to the band, with a healthy amount of input from singer/guitarist Davey Von Bohlen.
There will be more info to come soon. Until then, keep reading this blog and checking Twitter for updates, and I’ll leave you with a video of the song that inspired the title of my book.
Fugazi – “Stacks” (Live in Louisville):
That’s a hell of a title! Can’t wait to check it out.
Wow! That is very impressive my friend! You are inspiring me to try to get off my butt and get my own publishing projects underway…
see you soon!
Tune Travis Tune: An America Is Just A Word Update « Perfect Lines
[…] Tune Travis Tune: An America Is Just A Word Update 2009 April 8 tags: America Is Just A Word: Post-Hardcore Emo and American Culture, Chris Simpson, Drive Like Jehu, emo, hardcore, Mineral, music, post-hardcore, Rick Froberg, The Dismemberment Plan, Travis Morrison by kingleor I’ve got some exciting updates in the progress ofÂ America Is Just A Word. […]