Boston’s Banditos Misteriosos announced a brand new event: a Revolutionary Water Gun Battle. The battle will take place on August 16th, but you should be able to sign up later today. Banditos have caused quite a ruckus (in the purely good sense) in just under a year since forming. They’ve gotten a good chunk of coverage from the press and were recently named “Boston’s Best Kept Secret” by the Improper Bostonian. Their staging of fun-filled, unusual, and engaging events such as pillow fights, silent dance parties, and (most recently) a scavenger hunt in the form of flash mobs is just what this city has been asking for. These events are the kind of thing that are needed to shake people out of their collective daily-routine-comas and engage them in community and openness while challenging their expectations with a surge of creativity and fun.
In many ways, the random acts of fun inspired by Banditos are a reminder of the Punk Percussion Protests that were held in front of the South African Embassy in the summer of 1985. Back in emo’s infant days, Revolution Summer as it were, members of Positive Force and various individuals in the Dischord roster and faimly would gather infrequently by the embroiled embassy to stage impromptu protests. Demonstrating their newfound thirst for politics beyond their small community, the punks would gather a handful of times that summer and bang on all kinds of objects that would make a sound, end on end, in a vibrant and out-of-the-ordinary display of political fortitude and engaging idealism. At a time when hardcore had soured the image of punk for individuals within and out of the underground, the Punk Percussion Protests were one of many ways in which DC’s emo scene challenged expectations for all-things-normal in the world of punk (and outside of punk at that).
Keeping up with the sense of challenging expectations, the Punk Percussion Protests against Apartheid ended that summer. However, they were brought back briefly at various intervals, which also included a Positive Force, Fugazi-encompassing protest against the first War against Iraq. The event, originally a protests in support of the homeless, grew with the timetable set by the Bush administration (again, the first one) for Iraq’s withdrawal from Kuwait. Aside from the large-Fugazi show, there was a mass drumming assembly in front of the White House. According to the book Dance of Days, the protests were so potent that “Bush complained to the press that ‘those damned drums are keeping me up all night.'” Talk about out of the ordinary.
Fugazi – Turnover (live at the Positive Force anti-war/homelessness protest):