The new year is almost here, and with it comes a maelstrom of “End of the Year Lists.” Here on Ex-Spectator, I’ll be rolling out a few “End of the Year”/”End of the Decade” lists. Today’s list: The Best Overlooked Albums of the Aughts. A while back I started an ongoing feature called[...]
Posts Tagged ‘Sage Francis’
December 27th, 2009 - 11:04 pm § in True/Slant
The Best Overlooked Albums Of The Aughts
Tags: (k)no(w)here, +/-, A Name Writ in Water, A Story In White, Aereogramme, albums, Alias, All These Long Drives, All Together, Antelope, Apollo Sunshine, Aqueduct, art-punk, Beauty Pill, bedroom pop, Belly, best of, best overlooked albums of the aughts, best overlooked albums of the decade, Black Eyes, blogs, blues, bubblegum pop, By The Throat, Cave In, Cell-Scape, Central Hug, Central Hug/Friendarmy/Fractaldunes, Chad VanGaalen, chamber-pop, Chino Moreno, country, D.C., dance punk, Danger Mouse, Danger Mouse & Jemini, Dartz! This Is My Ship, David Terry, Deftones, doo-wop, Double Dagger, dubstep, Duplomacy, Ear Pwr, Emblems, emo, Emperor X, Eyedea & Abilities, Fire Theft, folk, Food For Animals, Forest Fire, Friend Army/Fractal Dunes (And The Dreams That Resulted), funk, Ghetto Pop Life, Gomez, Gowns, Guns Babes Lemonade, Hardcore punk, Hella, hip-hop, HLLLYH, Hope of the States, Hrishhikesh Hirway, I Sold Gold, In Our Gun, indie folk, indie pop, indie rock, Interventions & Lullabies, Ire Works, Is This It, It Takes A Nation Of Millions, jam, jazz, Jemini, Karate, Let's Build A Fire, lo-fi, London Zoo, Low Level Owl Vol. 1, Low Level Owl Vol. 2, Lucero, Lungfish, Mapmaker, Maritime, Mark Kozelek, Mary Timony, matt pond PA, Melt-Banana, meme, metal, metalcore, Milosh, Mineral, minimalism, Movie Monster, Muscles, music, Night On Fire, noise rock, noise-punk, Oh No! Oh My!, Parts & Labor, Pattern Is Movement, Perfect Pitch Black, Personal Journals, Pinback, Pitchfork, Pitchfork effect, Plus/Minus, pop, pop-rock, post-disco, post-hardcore, post-punk, prog, Public Enemy, Putting The Days To Bed, Q And Not U, Ragged Rubble, rap, RCA, Red State, Reflector, Resurgam, Rhymesayers, Rob Crow, Sage Francis, slam poetry, slowcore, Soft Airplane, Sound Team, Southern rock, Sun Kil Moon, Sunny Day Real Estate, Super Animal Brothers III, Survival, Team Sleep, That Much Further West, The Appleseed Cast, the aughts, The Bug, The Dillinger Escape Plan, The Dismemberment Plan, The Fire Theft, The Format, The Long Winters, The Lost Riots, The Mae Shi, The One AM Radio, The PoPo, The Rapture, The Strokes, The Unsustainable Lifestyle, Tiny Cities, twee, Unbeast the Leash, Unsolved, UUVVWWZ, VHS or Beta, Videohippos, Volcano I'm Still Excited!!, We The Vehicles, Wilderness, Zach Hill No Comments
December 23rd, 2009 - 12:19 am § in True/Slant
The Decade In Emo
It was indeed “A Decade Under The Influence.” But while Taking Back Sunday could string together a few solid hits drenched in a post-hardcore milieu and cut with pop sensibilities, chances are no one in the band could have predicted how influential emo would become in the aughts. The presence of[...]
Tags: ...is a Real Boy, A Decade Under The Influence, Abercrombie & Fitch, Achilles Heel, Algernon Cadwallader, Atmosphere, Bleed American, Brand New, Chris Carrabba, Coheed & Cambria, crunkcore, D.C., Dashboard Confessional, Dog Problems, Drive Like Jehu, emo, Emo: Where The Girls Aren't, emocore, Empire! Empire! (I Was A Lonely Estate), Fall Out Boy, Fugazi, Hardcore punk, In Keeping Secrets of Silent Earth: 3, Jawbox, Jessica Hopper, Jimmy Eat World, Maritime, Monument, music, My Chemical Romance, New York Times, Owen, P.O.S., Pedro the Lion, Pop music, post-hardcore, Punk Planet, Rhymesayers, Rising Tide, Rolling Stone, Sage Francis, Say Anything, screamo, scrunk, Sunny Day Real Estate, Taking Back Sunday, The Appleseed Cast, The Argument, The Format, The Get Up Kids, The Guilt Show, The Promise Ring, The Used, Thursday, Tim Burton, War All The Time, Warped Tour, Wood/Water No Comments